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Guillermo del Toro‘s name may be in the title of “Guillermo del Toro’s Cabinet of Curiosities,” his Netflix horror anthology series, but he very much let the creative teams for each installment carry out their own visions.
“Guillermo didn’t visit us at all on set. His imprimatur came from not only the name but the commonality of production design, which had the same production designer throughout all the episodes,” cinematographer Anastas N.
Michos tells Gold Derby at our Meet the Experts: Cinematography panel (watch the exclusive video interview above).
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“Guillermo let us do our own thing. Obviously at the back of your mind, it is under the GDT umbrella, so certain color palettes, subconsciously more than anything else, were influenced by that, but it’s really [director] David [Prior]’s vision about what this story is.”
The eight-episode series tells a different horror tale in each one.
The third ep